
The book unfolds around the idea of dialogue across time — between past and present, artwork and viewer, institution and community. At its centre, fifty stories printed on blue paper form a visual anchor. The layout draws on the nested architectural construction of the museum by Charles F. McAfee, translated into a dynamic grid. In the outdoor sculpture section, texts are set vertically, echoing sculptural form. Typography reflects a tension between heritage and contemporaneity through the dialogue between GT Alpina — rooted in book tradition — and ABC Monument Grotesk, a subtly unpolished sans serif. The cover features a debossed “U” and timeline, marking fifty years as a physical and visual imprint.
Publisher: Ulrich Museum of Art, Co-editors: Teri Mott / Vivian Zavataro, Art Director: Meryl Vedros, Designers: Ilina Catana / Meryl Vedros, Book Photography: Ludwig Schöpfer






















The book unfolds around the idea of dialogue across time — between past and present, artwork and viewer, institution and community. At its centre, fifty stories printed on blue paper form a visual anchor. The layout draws on the nested architectural construction of the museum by Charles F. McAfee, translated into a dynamic grid. In the outdoor sculpture section, texts are set vertically, echoing sculptural form. Typography reflects a tension between heritage and contemporaneity through the dialogue between GT Alpina — rooted in book tradition — and ABC Monument Grotesk, a subtly unpolished sans serif. The cover features a debossed “U” and timeline, marking fifty years as a physical and visual imprint.
Publisher: Ulrich Museum of Art, Co-editors: Teri Mott / Vivian Zavataro, Art Director: Meryl Vedros, Designers: Ilina Catana / Meryl Vedros, Book Photography: Ludwig Schöpfer





















© Studio Catana
© Studio Catana